Bibliography

Alva, W., C. Donnan. 1993. The Royal Tombs of Sipán. Los Angeles: Fowler Museum of Cultural History.

Bawden, G., 1995. “The structural Paradox: Moche Culture as Political Ideology.” Latin American Antiquity. Vol. 6 No.3, 255-273.

Bawden, G., 1999. The Moche. MA: Blackwell.

Bawden, G., 2004. “The Art of Moche Politics,” in Andean Archaeology, ed. H. Silverman, MA: Blackwell, 116-129

Bennett, J. (2004). “The force of things: steps toward an ecology of matter.” Political Theory 32(3): 347-372.

Bennett, J. (2005). “The agency of assemblages and the North American blackout.” Public Culture 17(3): 445-465.

Billman, B., 2002. “Irrigation and the Origins of the Southern Moche State on the North Coast of Peru.” Latin American Antiquity. Vol. 13, No. 4, 371- 400

Billman, B., 1999. “Reconstruction Prehistoric Political Economies and Cycles of Political Power in the Moche Valley, Peru,” in Settlement Pattern studies in the Americas: Fifty-Years since Viru. ed. B. Billman & G.M. Feinman. Washington D.C.: Smithsonian Institution Press, 131-159.

Brown, B. 2004. Things. Chicago, University of Chicago Press.

Brown, E. 2005. Instruments of Power: Musical Performance in Rituals of the Ancestral Puebloans of the American Southwest. Ph.D. Dissertation, Columbia University.

Bourget, S. (2001). “Rituals of Sacrifice: its practice at Huaca de la Luna and its Representation in Moche Iconography.” Moche Art and Archaeology in Ancient Peru. J. Pillsbury. New Haven, Yale University Press: 89-109.

Bourget, S. 2006. Sex, Death and Sacrifice in Moche Religion and Visual Culture. Austin, University of Texas Press.

Bourget, S., K. L. Jones. 2008. The art and archaeology of the Moche: an ancient Andean society of the Peruvian north coast. Austin, University of Texas Press.

Both, A. 2004.   “Shell Trumpets in Mesoamerica: Archaeological Evidence and Living Tradition.” In Music-Archaeological Sources: Finds, Oral Transmission, Written Evidence, edited by E. a. E. Hickmann, R., pp. 261-277. vol. IV. Westf., Rahden.

Castillo, L. J., and C. Donnan. 1994. “Los Mochicas del Norte y los Mochicas del Sur.” http://sanjosedemoro.pucp.edu.pe/descarga/los_mochicas_Norte_los_mochicas_sur.pdf

Castillo, L. J., and C. Donnan. 1994. “La ocupacion Moche de San Jose de Moro, Jequetepeque,” in Moche: Propuestas y Perspectivas, 79. Edited by S. U. a. E. Mujica, pp. 93-146. Lima: Travaux de l’Institut Francais d’Etudes Andines.

Chapdelaine, C., 2002. “Out in the Streets of Moche,” in Andean Archaeology I. ed. W. Isbell & H. Silverman. New York: Kluwer Academic/Plenum Publishers, 53-88.

Delueze, G., F. Guattari (1988). A Thousand Plateaus, Athlone Press.

DeMarrais, E., L. J. Castillo, T. Earle, 1996. “Ideology, Materialization and Power Strategies.” Current Anthropology. Vol. 37, No. 1, 15-31

d’Errico, F., G. Lawson. 2006. “The Sound Paradox: How to Assess the Potential Significance of Acoustic Archaeological Evidence?” Archaeoacoustics. Eds. Scarre, C. and G. Lawson. Cambridge: McDonald Institute Monograph. pp 41 -58

Donahue, J. 2000. “Applying Experimental Archaeology to Ethnomusicology: Recreating an Ancient Maya Friction Drum through Various Lines of Evidence”. Foundation for the Advancement of Mesoamerican Studies. Accessed 12 Dec 2008. http://www.famsi.org/research/kerr/articles/friction_drum/

Donnan, C. B. (1976). Moche Art and Iconography. Los Angeles, UCLA Latin American Center Publication.

Donnan, C. B. (1999). Moche Fineline Painting: its evolution and its artists. Los Angeles, UCLA Fowler Museum of Cultural History.

Donnan, C. B. (2004). Moche Portraits From Ancient Peru. Austin, University of Texas Press.

Donnan, C. B., C. J. Mackey 1978. Ancient burial patterns of the Moche Valley, Peru. University of Texas Press, Austin.

Donnan, C.B., D. McClelland (2007). Moche Fineline Painting from San Jose de Moro. Los Angeles: UCLA Cotsen Institute of Archaeology

Dumbrill, R. 1999. The Music of the Ancient Near East. Continuum.

Garrett, S. & D. Statnekov, 1977. “Peruvian Whistling Bottles,” The Journal of the Acoustical Society of America. Vol. 62, No.2

Gell, A. (1998). Art and Agency: an Anthropological Theory. New York, Clarendon Press.

Harman, G. (2009). Prince of Networks: Bruno Latour and Metaphysics. Melbourne, re.press

Hastings, C. M., M.E. Moseley 1975. “The Adobes of Huaca del Sol and Huaca de La Luna.” American Antiquity 40(2):196-203.

Holmes, P. 2006. “The Scandinavian Bronze Lurs: Accident or Intent?” Archaeoacoustics. Eds. Scarre, C. and G. Lawson. Cambridge: McDonald Institute Monograph. pp 59-70

Ingold, T. 2000. The Perception of the Environment. London, Routledge.

Inomata, T and L. Coben, 2006. Archaeology of Performance: Theaters of Power, Community, and Politics. New York: AltaMira.

Kilmer, A. 1998. “The Musical Instruments from Ur and Ancient Mesopotamian Music”. Expedition. Vol. 40, No. 2 12-18.

Latour, B. 1991. We Have Never Been Modern. Cambridge, Harvard University Press.

Latour, B. 1999. Pandora’s Hope: Essays on the Reality of Science Studies. Cambridge, Mass, Harvard University Press.

Latour, B. 2005. Reassembling the Social. Oxford, Oxford University Press.

Merleau-Ponty, M. 2003. Phenomenology of Perception. New York, Routledge.

Miller, D. 2005. Materiality. Duke University Press, Durham, NC.

Mitchell, W. (2005). What Do Pictures Want? Chicago, University of Chicago Press.

Moore, J. 2005. Cultural landscapes in the ancient Andes: archaeologies of place. Gainesville, University Press of Florida.

Morley, I. 2006. “Hunter-Gatherer Music and its Implications for Identifying Intentionality In the Use of Acoustic Space.” Archaeoacoustics. Eds. Scarre, C. and G. Lawson. Cambridge: McDonald Institute Monograph. pp 95 – 106

Moseley, M. E., 1975. “Prehistoric Principles of Labor Organization in the Moche Valley, Peru.” American Antiquity. Vol. 40, No. 2 April, 191-196.

Museo Larco Collection. Available from the World Wide Web: http://www.museolarco.org/igal_er3.shtml

Olsen, D. 2002. Music of El Dorado. University Press Florida

Quilter, J. 1990. “The Moche Revolt of the Objects,” Latin American Antiquity. Vol. 1, No. 1, 42-65.

Quilter, J., 1997. “The Narrative Approach to Moche Iconography,” Latin American  Antiquity. Vol. 8, No. 2, 113-133.

Russell, G., L. Banks & J. Briceño, 1998. “The Cerro Mayal Workshop: Addressing Issues of Craft Specialization in Moche Society,” in Andean Ceramics: Technology, Organization and Approaches. Ed. Izumi Shimada. U. of Pennsylvania, University Museum, 63-90.

Scarre, C. 2006. “Sound, Place and Space: Towards an Archaeology of Acoustics.”  Archaeoacoustics. Eds. Scarre, C. and G. Lawson. Cambridge: McDonald Institute Monograph, 1-10.

Scarre C. & G. Lawson. 2006. Archaeoacoustics. Cambridge: McDonald Institute Monograph.

Shimada, I., 1994. Pampa Grande and the Mochica Culture. Austin (TX): University of Texas Press

Shimada, I., 2001. “Late Moche urban Craft Production: A First Approximation.” Moche Art and Archaeology in Ancient Peru. ed. J. Pillsbury. Connecticut: Yale University Press, 177-206.

Swenson, E. 2003. “Cities of Violence: Sacrifice, Power and Urbanization in the Andes,” Journal of Social Archaeology. Vol. 3, pp 256-296

Tilley, C., 2004. Materiality of Stone: explorations in landscape phenomenology. New York: Oxford University Press.

Till, R. (2009). “Sounds of Stonehenge.”   Retrieved 01/09/09, from http://soundsofstonehenge.wordpress.com/.

Uceda, S. & J. Armas, 1998. “An Urban Pottery Workshop at the Site of Moche, North Coast of Peru,” in Andean Ceramics: Technology, Organization and Approaches. ed. I. Shimada. University of Pennsylvania, University Museum, 91- 110.

Waller, S.J. 2006. “Intentionality of Rock-art Placement Deduced from Acoustical Measurements and Echo Myths.” Archaeoacoustics. Eds. Scarre, C. and G. Lawson. Cambridge: McDonald Institute Monograph. pp 31-40

Watson, A. 2001. The sounds of transformation: acoustics, monuments and ritual in the British Neolithic. The Archaeology of Shamanism. N. Price. London, Routledge: 178-192.

Weismantel, M., “Moche Sex Pots: Reproduction and Temporality in Ancient South America.” American Anthropologist, Vol. 106, No. 3, 495-505.